Claude Monet Rouen Cathedral West Façade Sunlight 1892

Claude Monet Rouen Cathedral West Façade Sunlight 1892. Acquired by the clark in memory of anne strang baxter, 1967. 10, as la cathédrale de rouen. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

Meilleur Webmuseum Monet Claude Rouen Cathedral

"lcathédrale de rouen, façade ouest", 1892. Washington, dc, national gallery of art, 1963.10.179. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

"la cathédrale de rouen dans le brouillard", 1894.

"lcathédrale de rouen, façade ouest", 1892. Acquired by the clark in memory of anne strang baxter, 1967. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Courtesy national gallery of art, washington. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

Courtesy national gallery of art, washington. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. "la cathédrale de rouen dans le brouillard", 1894. Acquired by the clark in memory of anne strang baxter, 1967. "lcathédrale de rouen, façade ouest", 1892.

Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. 20, as cathedrale de rouen. "lcathédrale de rouen, façade ouest", 1892. Courtesy national gallery of art, washington. National gallery, washington ·· 10. In late january or early february 1892, monet rented rooms across from rouen cathedral.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. In late january or early february 1892, monet rented rooms across from rouen cathedral. "la cathédrale de rouen dans le brouillard", 1894. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).. Courtesy national gallery of art, washington.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.. National gallery, washington ·· 10. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Courtesy national gallery of art, washington. In late january or early february 1892, monet rented rooms across from rouen cathedral. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 20, as cathedrale de rouen. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. 20, as cathedrale de rouen.

Washington, dc, national gallery of art, 1963.10.179... "la cathédrale de rouen dans le brouillard", 1894. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.. National gallery, washington ·· 10.

20, as cathedrale de rouen. "la cathédrale de rouen dans le brouillard", 1894. 10, as la cathédrale de rouen. 20, as cathedrale de rouen. Acquired by the clark in memory of anne strang baxter, 1967. National gallery, washington ·· 10. Courtesy national gallery of art, washington. The clark art institute, 1967.1. Washington, dc, national gallery of art, 1963.10.179. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable... National gallery, washington ·· 10.

Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).. In late january or early february 1892, monet rented rooms across from rouen cathedral. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Courtesy national gallery of art, washington. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. The clark art institute, 1967.1. "lcathédrale de rouen, façade ouest", 1892. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.

In late january or early february 1892, monet rented rooms across from rouen cathedral.. National gallery, washington ·· 10. "lcathédrale de rouen, façade ouest", 1892. Acquired by the clark in memory of anne strang baxter, 1967. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). The clark art institute, 1967.1. "la cathédrale de rouen dans le brouillard", 1894. National gallery, washington ·· 10.

Courtesy national gallery of art, washington. Washington, dc, national gallery of art, 1963.10.179. "lcathédrale de rouen, façade ouest", 1892. The clark art institute, 1967.1. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Courtesy national gallery of art, washington. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. National gallery, washington ·· 10. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.

Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Washington, dc, national gallery of art, 1963.10.179. 10, as la cathédrale de rouen... 20, as cathedrale de rouen.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. "lcathédrale de rouen, façade ouest", 1892. The clark art institute, 1967.1. 20, as cathedrale de rouen. In late january or early february 1892, monet rented rooms across from rouen cathedral. Courtesy national gallery of art, washington. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. National gallery, washington ·· 10. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Washington, dc, national gallery of art, 1963.10.179.

The clark art institute, 1967.1.. National gallery, washington ·· 10. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). "la cathédrale de rouen dans le brouillard", 1894. 10, as la cathédrale de rouen. Washington, dc, national gallery of art, 1963.10.179. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Acquired by the clark in memory of anne strang baxter, 1967.. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.

10, as la cathédrale de rouen. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... Courtesy national gallery of art, washington.

"la cathédrale de rouen dans le brouillard", 1894.. In late january or early february 1892, monet rented rooms across from rouen cathedral. The clark art institute, 1967.1. The clark art institute, 1967.1.

Acquired by the clark in memory of anne strang baxter, 1967. 10, as la cathédrale de rouen. Acquired by the clark in memory of anne strang baxter, 1967. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Courtesy national gallery of art, washington. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). The clark art institute, 1967.1. 10, as la cathédrale de rouen.

National gallery, washington ·· 10... . "la cathédrale de rouen dans le brouillard", 1894.

Washington, dc, national gallery of art, 1963.10.179. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. "lcathédrale de rouen, façade ouest", 1892. 10, as la cathédrale de rouen.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... "lcathédrale de rouen, façade ouest", 1892. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). National gallery, washington ·· 10. The clark art institute, 1967.1. 10, as la cathédrale de rouen. "la cathédrale de rouen dans le brouillard", 1894. 20, as cathedrale de rouen. 20, as cathedrale de rouen.

Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 10, as la cathédrale de rouen. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. 20, as cathedrale de rouen. The clark art institute, 1967.1. "lcathédrale de rouen, façade ouest", 1892. National gallery, washington ·· 10... "la cathédrale de rouen dans le brouillard", 1894.

Courtesy national gallery of art, washington. Acquired by the clark in memory of anne strang baxter, 1967. In late january or early february 1892, monet rented rooms across from rouen cathedral. "lcathédrale de rouen, façade ouest", 1892. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. 20, as cathedrale de rouen. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). The next winter he returned to paint the cathedral again, making in all more than 30 views of it.. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.

"lcathédrale de rouen, façade ouest", 1892. Courtesy national gallery of art, washington. "la cathédrale de rouen dans le brouillard", 1894. The clark art institute, 1967.1. "lcathédrale de rouen, façade ouest", 1892. National gallery, washington ·· 10. In late january or early february 1892, monet rented rooms across from rouen cathedral. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

Courtesy national gallery of art, washington. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. 10, as la cathédrale de rouen. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. National gallery, washington ·· 10... 10, as la cathédrale de rouen.

Washington, dc, national gallery of art, 1963.10.179. .. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.

Courtesy national gallery of art, washington. . "la cathédrale de rouen dans le brouillard", 1894.

Courtesy national gallery of art, washington. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. In late january or early february 1892, monet rented rooms across from rouen cathedral. Acquired by the clark in memory of anne strang baxter, 1967. "la cathédrale de rouen dans le brouillard", 1894. The clark art institute, 1967.1. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.. Courtesy national gallery of art, washington.

Washington, dc, national gallery of art, 1963.10.179. "lcathédrale de rouen, façade ouest", 1892. 20, as cathedrale de rouen. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). The next winter he returned to paint the cathedral again, making in all more than 30 views of it. National gallery, washington ·· 10. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. In late january or early february 1892, monet rented rooms across from rouen cathedral. "la cathédrale de rouen dans le brouillard", 1894.

"la cathédrale de rouen dans le brouillard", 1894. National gallery, washington ·· 10. Washington, dc, national gallery of art, 1963.10.179. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. In late january or early february 1892, monet rented rooms across from rouen cathedral. Acquired by the clark in memory of anne strang baxter, 1967. "la cathédrale de rouen dans le brouillard", 1894. 10, as la cathédrale de rouen.. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

Washington, dc, national gallery of art, 1963.10.179. 10, as la cathédrale de rouen. "la cathédrale de rouen dans le brouillard", 1894. "lcathédrale de rouen, façade ouest", 1892. 20, as cathedrale de rouen. Acquired by the clark in memory of anne strang baxter, 1967. In late january or early february 1892, monet rented rooms across from rouen cathedral. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... Acquired by the clark in memory of anne strang baxter, 1967.

10, as la cathédrale de rouen. In late january or early february 1892, monet rented rooms across from rouen cathedral. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. "lcathédrale de rouen, façade ouest", 1892. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Courtesy national gallery of art, washington. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

Courtesy national gallery of art, washington. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. 10, as la cathédrale de rouen.. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.

Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).. "lcathédrale de rouen, façade ouest", 1892... "la cathédrale de rouen dans le brouillard", 1894.

Courtesy national gallery of art, washington. Courtesy national gallery of art, washington... 10, as la cathédrale de rouen.

The clark art institute, 1967.1. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. 10, as la cathédrale de rouen. Washington, dc, national gallery of art, 1963.10.179. "lcathédrale de rouen, façade ouest", 1892. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Acquired by the clark in memory of anne strang baxter, 1967. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Courtesy national gallery of art, washington.. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.

The next winter he returned to paint the cathedral again, making in all more than 30 views of it. "lcathédrale de rouen, façade ouest", 1892. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.

"lcathédrale de rouen, façade ouest", 1892. Acquired by the clark in memory of anne strang baxter, 1967. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. The clark art institute, 1967.1. National gallery, washington ·· 10... Courtesy national gallery of art, washington.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 20, as cathedrale de rouen. "lcathédrale de rouen, façade ouest", 1892... "lcathédrale de rouen, façade ouest", 1892.

20, as cathedrale de rouen. The clark art institute, 1967.1. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Washington, dc, national gallery of art, 1963.10.179. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.. The clark art institute, 1967.1.

Acquired by the clark in memory of anne strang baxter, 1967. 10, as la cathédrale de rouen. "lcathédrale de rouen, façade ouest", 1892.

Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.)... He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. "la cathédrale de rouen dans le brouillard", 1894. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).

In late january or early february 1892, monet rented rooms across from rouen cathedral. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Courtesy national gallery of art, washington. Washington, dc, national gallery of art, 1963.10.179. The clark art institute, 1967.1. "la cathédrale de rouen dans le brouillard", 1894. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Acquired by the clark in memory of anne strang baxter, 1967.. The clark art institute, 1967.1.

Washington, dc, national gallery of art, 1963.10.179. Courtesy national gallery of art, washington. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).

Acquired by the clark in memory of anne strang baxter, 1967. Washington, dc, national gallery of art, 1963.10.179.

Acquired by the clark in memory of anne strang baxter, 1967... Courtesy national gallery of art, washington. 10, as la cathédrale de rouen. "la cathédrale de rouen dans le brouillard", 1894. "lcathédrale de rouen, façade ouest", 1892. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. In late january or early february 1892, monet rented rooms across from rouen cathedral.

Acquired by the clark in memory of anne strang baxter, 1967. 20, as cathedrale de rouen. "lcathédrale de rouen, façade ouest", 1892. Courtesy national gallery of art, washington... Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

"la cathédrale de rouen dans le brouillard", 1894... 10, as la cathédrale de rouen. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

"lcathédrale de rouen, façade ouest", 1892. "la cathédrale de rouen dans le brouillard", 1894. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Courtesy national gallery of art, washington. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 10, as la cathédrale de rouen.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides... Acquired by the clark in memory of anne strang baxter, 1967. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. National gallery, washington ·· 10. "lcathédrale de rouen, façade ouest", 1892. Washington, dc, national gallery of art, 1963.10.179. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 10, as la cathédrale de rouen.. "lcathédrale de rouen, façade ouest", 1892.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). The clark art institute, 1967.1. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... 10, as la cathédrale de rouen.

Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Courtesy national gallery of art, washington. Washington, dc, national gallery of art, 1963.10.179. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).

20, as cathedrale de rouen. "lcathédrale de rouen, façade ouest", 1892. 10, as la cathédrale de rouen. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. National gallery, washington ·· 10. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Courtesy national gallery of art, washington. Washington, dc, national gallery of art, 1963.10.179. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).

Courtesy national gallery of art, washington... Courtesy national gallery of art, washington. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). "la cathédrale de rouen dans le brouillard", 1894. Acquired by the clark in memory of anne strang baxter, 1967. In late january or early february 1892, monet rented rooms across from rouen cathedral. National gallery, washington ·· 10. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides... Courtesy national gallery of art, washington.

20, as cathedrale de rouen... Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. National gallery, washington ·· 10. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 10, as la cathédrale de rouen. Acquired by the clark in memory of anne strang baxter, 1967. Washington, dc, national gallery of art, 1963.10.179. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). "la cathédrale de rouen dans le brouillard", 1894. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. "lcathédrale de rouen, façade ouest", 1892. In late january or early february 1892, monet rented rooms across from rouen cathedral. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

20, as cathedrale de rouen. 20, as cathedrale de rouen. National gallery, washington ·· 10. "lcathédrale de rouen, façade ouest", 1892. Courtesy national gallery of art, washington. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 10, as la cathédrale de rouen. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.

Acquired by the clark in memory of anne strang baxter, 1967... He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Courtesy national gallery of art, washington. "la cathédrale de rouen dans le brouillard", 1894. The clark art institute, 1967.1. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Washington, dc, national gallery of art, 1963.10.179. "lcathédrale de rouen, façade ouest", 1892. National gallery, washington ·· 10. In late january or early february 1892, monet rented rooms across from rouen cathedral. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.

Acquired by the clark in memory of anne strang baxter, 1967.. "lcathédrale de rouen, façade ouest", 1892. Courtesy national gallery of art, washington. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Acquired by the clark in memory of anne strang baxter, 1967. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors... 10, as la cathédrale de rouen.

Washington, dc, national gallery of art, 1963.10.179. Courtesy national gallery of art, washington.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.. 10, as la cathédrale de rouen. National gallery, washington ·· 10.

20, as cathedrale de rouen. . Courtesy national gallery of art, washington.

Courtesy national gallery of art, washington... "lcathédrale de rouen, façade ouest", 1892.. Acquired by the clark in memory of anne strang baxter, 1967.

10, as la cathédrale de rouen... 10, as la cathédrale de rouen. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. National gallery, washington ·· 10. Courtesy national gallery of art, washington.. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Washington, dc, national gallery of art, 1963.10.179. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Acquired by the clark in memory of anne strang baxter, 1967. "lcathédrale de rouen, façade ouest", 1892. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).. The clark art institute, 1967.1.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Courtesy national gallery of art, washington. "lcathédrale de rouen, façade ouest", 1892. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). Acquired by the clark in memory of anne strang baxter, 1967. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 20, as cathedrale de rouen. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.

10, as la cathédrale de rouen. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. "lcathédrale de rouen, façade ouest", 1892. In late january or early february 1892, monet rented rooms across from rouen cathedral. Courtesy national gallery of art, washington. The clark art institute, 1967.1. Acquired by the clark in memory of anne strang baxter, 1967.. The clark art institute, 1967.1.

National gallery, washington ·· 10.. In late january or early february 1892, monet rented rooms across from rouen cathedral... "la cathédrale de rouen dans le brouillard", 1894.

"la cathédrale de rouen dans le brouillard", 1894. .. 10, as la cathédrale de rouen.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. 20, as cathedrale de rouen. National gallery, washington ·· 10. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. The clark art institute, 1967.1. Courtesy national gallery of art, washington. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Washington, dc, national gallery of art, 1963.10.179. Acquired by the clark in memory of anne strang baxter, 1967. "lcathédrale de rouen, façade ouest", 1892. 10, as la cathédrale de rouen.. The clark art institute, 1967.1.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. 10, as la cathédrale de rouen. In late january or early february 1892, monet rented rooms across from rouen cathedral. Courtesy national gallery of art, washington. 20, as cathedrale de rouen.. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

"lcathédrale de rouen, façade ouest", 1892. National gallery, washington ·· 10. Courtesy national gallery of art, washington. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). .. Acquired by the clark in memory of anne strang baxter, 1967.

Courtesy national gallery of art, washington. Acquired by the clark in memory of anne strang baxter, 1967. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. National gallery, washington ·· 10. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. "la cathédrale de rouen dans le brouillard", 1894. Washington, dc, national gallery of art, 1963.10.179. "lcathédrale de rouen, façade ouest", 1892. The next winter he returned to paint the cathedral again, making in all more than 30 views of it.

"la cathédrale de rouen dans le brouillard", 1894... National gallery, washington ·· 10. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. The clark art institute, 1967.1. 20, as cathedrale de rouen. In late january or early february 1892, monet rented rooms across from rouen cathedral. Courtesy national gallery of art, washington. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. 10, as la cathédrale de rouen.. "la cathédrale de rouen dans le brouillard", 1894.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors. "la cathédrale de rouen dans le brouillard", 1894. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Washington, dc, national gallery of art, 1963.10.179. Acquired by the clark in memory of anne strang baxter, 1967. 10, as la cathédrale de rouen. "lcathédrale de rouen, façade ouest", 1892.. Courtesy national gallery of art, washington.

Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). 20, as cathedrale de rouen. Courtesy national gallery of art, washington. "la cathédrale de rouen dans le brouillard", 1894. 10, as la cathédrale de rouen. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable... Courtesy national gallery of art, washington.

10, as la cathédrale de rouen... Washington, dc, national gallery of art, 1963.10.179. Courtesy national gallery of art, washington.

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides... He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. "lcathédrale de rouen, façade ouest", 1892. The clark art institute, 1967.1... 20, as cathedrale de rouen.

Contrary to many other audacious impressionist projects, monet's cathedrals series enjoyed an immediate acceptance among critics and collectors.. 20, as cathedrale de rouen.

Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Acquired by the clark in memory of anne strang baxter, 1967. In late january or early february 1892, monet rented rooms across from rouen cathedral. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). "la cathédrale de rouen dans le brouillard", 1894. 10, as la cathédrale de rouen. "lcathédrale de rouen, façade ouest", 1892. National gallery, washington ·· 10. The clark art institute, 1967.1. 20, as cathedrale de rouen... He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides.

"lcathédrale de rouen, façade ouest", 1892. 20, as cathedrale de rouen. In late january or early february 1892, monet rented rooms across from rouen cathedral. "lcathédrale de rouen, façade ouest", 1892. Acquired by the clark in memory of anne strang baxter, 1967.. In late january or early february 1892, monet rented rooms across from rouen cathedral.

The next winter he returned to paint the cathedral again, making in all more than 30 views of it... "lcathédrale de rouen, façade ouest", 1892. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Courtesy national gallery of art, washington. Acquired by the clark in memory of anne strang baxter, 1967... Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).

He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Acquired by the clark in memory of anne strang baxter, 1967. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). "la cathédrale de rouen dans le brouillard", 1894. In late january or early february 1892, monet rented rooms across from rouen cathedral.

In late january or early february 1892, monet rented rooms across from rouen cathedral. . 20, as cathedrale de rouen.

Courtesy national gallery of art, washington. The clark art institute, 1967.1. In late january or early february 1892, monet rented rooms across from rouen cathedral. The next winter he returned to paint the cathedral again, making in all more than 30 views of it. 20, as cathedrale de rouen. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. "lcathédrale de rouen, façade ouest", 1892. "la cathédrale de rouen dans le brouillard", 1894. 10, as la cathédrale de rouen. National gallery, washington ·· 10.

Acquired by the clark in memory of anne strang baxter, 1967. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. The clark art institute, 1967.1. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Washington, dc, national gallery of art, 1963.10.179.

National gallery, washington ·· 10. "la cathédrale de rouen dans le brouillard", 1894. Courtesy national gallery of art, washington. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.). The next winter he returned to paint the cathedral again, making in all more than 30 views of it. Acquired by the clark in memory of anne strang baxter, 1967. "lcathédrale de rouen, façade ouest", 1892. In late january or early february 1892, monet rented rooms across from rouen cathedral. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable. He remained until spring, painting its looming façade many times, most often as we see it here, close up and cropped to the sides. Oil on canvas, 100 x 65 cm (39 3/8 x 25 9/16 in.).